The Irresistible Force Vs Ramjac Corporation

Live At The Brain 1990

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• 1 Irresistable Force - Medley 1
• 2 Ramjac Corporation - Wikki Loop
• 3 Ramjac Corporation - Para Ti
• 4 Irresistible Force - Let's Go Swimming
• 5 Ramjac Corporation - Massif
• 6 Irresistible Force - Medley 2
• 7 Ramjac Corporation - Keep On Turning On
• 8 Irresistible Force - Finale

An historical live recording at The Brain Club that captures the unique vibe and flow of a brand new life-changing musical era in 1990 London Soho.Includes liner notes by The Brain club co-owner Sean McLusky, writer (''Bass, Mids, Tops'') and DJ Joe Muggs and original sleeve art by the other The Brain club co-owner Mark Wigan, like you were back there. The Irresistible Force is underground legend, ambient dj, writer, critic of corporate dance business (thanks for that) and producer Mixmaster Morris. He became involved with the emerging UK acid house scene, touring with The Shamen and releasing his first and still outstanding album ''Flying High'' on Caspar Pound's great Rising High Records. He played all raves, clubs, radios and festival, all around the world, did so many mixtapes and compilations and more albums, always so enjoyable and and still is one of the most truly enthusiastic DJ around. Ramjac Corporation is Paul Chivers, producer, percussionist, sound artist and teacher, with first release on the cult London label Irdial Discs, one of UK's unsung electronic pioneers, known for his voltaic live shows during the heady Summer of Love in 1988 and beyond. Jamming his own flavour of sampled beats live from his Atari and Emulator, Ramjac performed at the now legendary Sunrise, Energy and Back To The Future raves and went on to tour with Orbital, The Shamen and The Irresistible Force. Ramjac went from playing from 50 to 10,000 ravers in a matter of months. Sean McLusky went on to set up Brainiak Records with Tim Fielding, the legendary Live At The Brain albums, then they went to mastermind various London clubs like Love Ranch, Club UK, Sonic Mook and Mr C's The End. Mark Wigan was an influential pioneer of urban art in New York, Tokyo and London during the 1980s and 90s. Amongst other, he did the whole The Brain club visuals, as well as several records sleeves for Frankie Bones, A Guy Called Gerald and Bobby Konders. His work explores and responds to anthropology and subcultures, evoking a magical symbolism and the collective unconscious, ancient motifs and the beginning of language itself he has created a whole universe of compelling artworks. He was also involved in illustrating the London club scene. Mark draw the visuals for this album.