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Red Fetish - A Derangement Of Synapses
Label
Medical Records
Catalogue
MR-054
Eancode
No eancode
Format
LP
Release Date
WK 41, 06 Oct 2015
Type
benelux exclusive
Stock
Out of stock

Red Fetish

A Derangement Of Synapses

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Medical Records presents a hand-picked selection of home recorded demos from Stoke, UK's Red Fetish. Armed with a Korg 770, Yamaha CS10, Korg Rhythm 55, a guitar here and there and a Teac 244 four track recorder, the band consisted of Neale James Potts and Mike Richardson. Red Fetish featured members from All The Madmen and Decades By Night and later evolved into The Cone and Tiger Club. These tracks were recorded in 1982-83 and all culled from various cassettes that the band recorded. The tracks for this special release (technically not a reissue) were hand picked by Medical Records out of a large demo collection (often multiple versions of certain songs). Red Fetish was heavily influenced by UK late 70's new wave as well as rock staples such as Pink Floyd, Beatles, and Hawkwind. The songs are built from very minimal and sparse synth lines yet the overall feel is interestingly dense and warm. Standout tracks include the playful and futuristic "Modern Age" and "The Last Man". A few of these tracks were previously released (different version) on a 7" on Anna Logue (Germany) but most have been largely unheard until now. Sprinkled in amongst the catchy vocal pop songs are quite a few very warm and synth heavy instrumentals as well such as "The Immortals" and "Blaze". This collection will absolutely be another piece of the highly intriguing and ever-deep well of minimal synth acts such as other contemporaries Oppenheimer Analysis, Twilight Ritual, Iron Curtain, and the like. Certainly fans of early Human League (especially The Future), early cassette culture wave and similar will enjoy this collection immensely. Remastered from cassette by Martin Bowes. Presented on high-quality 180gram heavyweight half and half colored vinyl (red and white) with sleeve design by Steve Lippert. Limited edition release.

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